Maro Charitra 2010 Review, Maro Charitra Movie Review

This film Marocharithra is a clean movie. For a new comer, who has no comparison with balachandar’s film, this film neither upsets nor irritates the audience. A total family entertainer.

Varun Sandesh improved a lot as a hero. He tried his level best to prove himself. This hero should be very careful in his selection of stories. Heroine Anitha is ok. Here we should not compare with Kamal Hasan and Saritha, because they acted under the direction of a giant director called K. Balanchandar.

The dialogues of America Durga and the satires of Krishanamachari’s wife, were simply superb and natural. Many one-liner dialogues break the audience into laughs. Umarji Anuradha the writer of ‘Ye Maya Chesave’ (Directed by Gautham Menon) proved once again her talent beyond doubts with her sharp, sensitive words, with firm comedy punches and with the depth of philosophy and seriousness.

Ravi Yadav’s as a cinematographer proved his excellence once again with his lighting skills and applying colors. But his performance as a director is very poor. He failed to handle the script in all important emotional scenes, including at the agreement scene and at the climax. No clarity, always it was covered with dialogues and masked with performances of experienced actors like Kota Srinivasa Rao, Talai Vasal Vijay, Prathap Pothan, Urvasi, Yami Gautam, Naresh, Sandhya, and JanakAadarsh.
Mickey J Meyer as music director, proved his talent once again with his melodies. His songs are excellent.
The back ground scores given by Thaman in many places are with too much of sound. They masked many punches and irritated the audience.
Editor is ok, because in some areas people could not laugh and could not cry because of sharp cuts that are chasing immediately after the shot. An experienced Editor like Marthand K Venkatesh could have taken more care and attention.

Dil Raju should be very careful in selection of Directors for his films. To maintain high success rate he must select those directors who has good emotions and good character and talent… we must not forget the truth that the films of K. RaghavendraRao cannot be handled by K. Viswanth or vice versa… The story emotions and philosophy always demands an equal amount emotional philosophy and convictions with the Director.

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